38) by Robert Lamar Weaver; Norma Wright Weaver. 35 (Décembre 1973). S. 141–142, IAML/AIBM/IVMB Directory 1987—1989. 21 tracks (61:34). S. 128–134, Harald Heckmann: Das Repertoire International Des Sources Musicales (Rism) In Geschichte Und Gegenwart. S. 455, Niels Krabbe: The Carl Nielsen Edition – Brought To Completion. S. 157, ELECTION RESULTS — ELECTION RESULTS — ELECTION RESULTS. (Music Reference Collection, 39) by William Scott; The American Wind Symphony Commissioning Project: A Descriptive Catalog of Published Editions, 1957—1991. S. 92–93, Mary Wallace Davidson: United States. S. 84–85, Gustav C. Chamrath: Die Rechte Der Schallplatte Und Des Tonbandes. S. 7–39, Review by Sven H. Hansell: Svensk solosång 1850—1890. S. 10, Hermann Waßner, Christoph Stollenwerk, Harald Heckmann, Dietrich Schüller: Zur Eröffnung Des Aibm-Kongresses In Mainz Am 11. One idea behind "Leif in Concert - Vol.2" was to make a "film with friends". Anders Lönn: IAML/AIBM/IVMB Directory. S. 346–348, Review by Stephen Zank: Anton Rubinstein: An Annotated Catalog of Piano Works and Biography. S. 46–48, Publications à Caractère Bibliographique. A Thematic Catalogue of His Works (Thematic catalogue series; n o 5) by Robert N. Freeman. S. 177–178, Review by John Wagstaff: Early Keyboard Instruments in European Museums by Edward L. Kottick; George Lucktenberg; British Keyboard Music to c. 1660: Sources and Thematic Index by Virginia Brookes. S. 79, Tony Reed: Universal Availability of Publications and Music. S. 380–382, Maureen Buja: The R-Projects: Editoral Essay. S. 58, Review by Linda Phyllis Austern: A Shakespeare Music Catalogue by Bryan N. S. Gooch; David Thatcher. S. 275–281, Roger Flury: Branch News Annual Report of the President, IAML (NZ Branch) for 1987/8. S. 94–96, Eva Dobrzyński: Les Échanges internationaux: Département de la musique, Bibliothèque nationale, Paris. S. 18–19, Dietrich Lotichius: Broadcasting Libraries Commission: Subcommission Radio Sound Archives. S. 127–130, D.G. S. 45–48, Joachim Schlichte: Internationales Quellenlexikon der Musik Zentralredaktion Frankfurt/Main Arbeitsbericht 1987. (Wiener Forum für ältere Musikgeschichte, Band 3) by Birgit Lodes. S. 62. S. 88–92, H. Robert Cohen, Sylvia L’Ecuyer Lacroix: Indexation de l’iconographie musicale dans la presse illustrée du dix-neuvième siècle: Présentation d’une Méthode. Day: Bibliography Commission. Communiques / Mitteilungen / Notes And Information. S. 203–205, Wolfgang Krueger: Commission on Service and Training. S. 281–282, Review by Stephen K. Long: From Sibelius to Sallinen: Finnish nationalism and the music of Finland. S. 127–129, Frans M. J. Dupont: Le Fonds Peter Benoit (Antwerpen). S. 73–74, Review by Dragotin Cvetko: Ein neues Werk über das Musikbarock. S. 373–374, Review by Darwin F. Scott: De musica mensurata (Music — scholarship and performance) by Anonymous of St. Emmeram; Jeremy Yudkin. S. 146–147, Helmut Reinhold: Aufbau und Verwendungsmöglichkeiten einer Discothek wertvoller Gesangsaufnahmen im Sendebetrieb. S. 414–417, Review by Beate Redlich: Dirigentinnen im 20. by Håkon Sivertsen. S. 132–134, José Quitin, B. H.: La Société liégeoise de musicologie. S. 61, Bengt Kyhlberg: Broadcasting Libraries Commission. S. 124–126, Bernard Huys: Le Fonds de Sainte-Gudule de la Bibliothèque du Conservatoire Royal de Musique de Bruxelles. S. 377–378, Review by Leslie Bennett: The Heritage encyclopedia of band music: composers and their music by William H. Rehrig; Paul E. Bierley. S. 188–191, Review by Barry J. Zaslow: Variations on the Canon: Essays on Music From Bach to Boulez in Honor of Charles Rosen on His Eightieth Birthday by Robert Curry; David Gable; Robert L. Marshall. S. 1–2, Helmut Kallmann: The Making Of A One-Country Music Encyclopedia: An Essay After An Encyclopedia. S. 270–273, Almut Boehme: An Initial Investigation Into The Early Dissemination Of Scottish Music In Australia. 29 (décembre 1968). 1.) Datations. S. 211–216, Karen Keiser, Mark Hand: The Canadian Music Centre: A History. Bericht des Symposiums zum Anlass seines 100. S. 392–395, Jon Bagüés: Archives Branch: Working Group on Access to Music Archives. S. 3–5, June R. Morroni: The Music Library Association. S. 331–343, Werner Unger: Thesaurus „Phonographie“. 111: Eigenhändiges Korrekturexemplar der Wiener Ausgabe von Cappi & Diabelli Eine neu aufgefundene Quelle. S. 431–433, Review by Nina Eichholz: Telemann und die Kirchenmusik. In the course of the film we eavesdrop on four conversations. S. 238–239, Review by Mal Stanley: Sounds from the Corner: Australian Contemporary Jazz on CD by Roger Dean. S. 265, Maria Calderisi Bryce: From the President. S. 309–310, Review by Jeannie Pool: Women composers, conductors, and musicians of the twentieth century, Vol. Todestages. S. 138–140, Lisa Philpott: CAML Conference 2007. S. 197, Christoph Wolff: Répertoire International Des Sources Musicales (Rism). S. 84–86, Frits Noske: Early Sources of the Dutch National Anthem (1574—1626). (Thematic Catalogue, no 26) by Bertil H. Van Boer. S. 35, Bendt Viinholt Nielsen: An Ecstatic Outsider: Rued Langgaard, 1893—1952. S. 23–31, Jacqueline Waeber: „Pygmalion“ Et J.-J. S. 91–92, Don L. Roberts: Commission On Education And Training. S. 132–133, A. Hyatt King, Karl-Heinz Köhler: Communiqués/Mitteilungen/Communications. Fallen Leaf Reference Books in Music by David P. DeVenney. S. 8–15, Maria Majno: Prima La Musica, O Le Parole? (C.H. Second Symposium: The Training of the Music Librarian. S. 165, Dix Ans De L’activite De L’unesco Dans Les Domaines De La Musique Et Des Bibliotheques. by Jean-Michel Nectoux. 1 by Manfred Weihermüller. S. 343–400, Jon Bagüés, Miquel Angel Plaza-Navas: Institutions Of Musical Documentation: A Selective Bibliography. S. 97–102, Liste Internationale Selective No. S. 12–19, Patrick Saul: Fédération Internationale des Phonothèques (F.I.P.) S. 188, Publications à Caractère Bibliographique. S. 200–201, Review by Hannu Salmi: Richard Wagner, Sämtliche Briefe. Patrick Saul: The British Institute of Recorded Sound. S. 142, Øyvind Norheim: Research Libraries Branch. S. 133–141, Barry S. Brook, Murray Gould, Jan Larue, Ingmar Bengtsson, Nanie Bridgman, Rita Benton, Paule Chaillon-Guiomar: Notating Music with Ordinary Typewriter Characters (A Plaine and Easie Code System for Musicke). S. 194–219, Stephen A. Willier: The Present Location of Libraries Listed in Robert Eitner’s Biographisch-bibliographisches Quellen-Lexikon. S. 202–205, Kurt Dorfmüller: Alfons Ott: 21. S. 381–382, Jana Navratilova: Czech Republic. S. 78, Ria Warmerdam: Performing arts in The Netherlands in shock: New subsidy policy distresses renowned musical ensembles. S. 171–176, Richard D. Claypool: Archival Collections of the Moravian Music Foundation and some notes on the Philharmonic Society of Bethlehem. S. 88, János Kárpáti: The Role Of Audiovisual Materials In Music School Libraries. 4) by James R. Cowdery; Zdravko Blažeković; Barry S. Brook. S. 239–240, Review by Georgina Binns: Australian Solo Piano Works of the Last Twenty-five Years. S. 325–328, Geraldine E. Ostrove: Recent Publications In Music. S. 161–164, Wolfgang Krueger: Deutschland: Oktober 1997-September 1998. S. 91, Do Reeser: Sixty Years of Public Music Libraries in the Netherlands. S. 228–231, Review by John Wagstaff: Regensburger Verlagsbuchhandlungen als Musikverlage (1850—1950). S. 184, Mireille Geering: Working Group on Uniform Titles for Music Manuscript Collections other than Liturgical. S. 240–241, Review by Lewis Foreman: Ibbs and Tillett: The Rise and Fall of a Musical Empire by Christopher Fifield. per Liuto e Chitarra. S. 47, Galina Koltypina: Standardization of the Bibliographic Description of Printed Music in the USSR. S. 63–64, Joan Colquhoun: Project Group on UNIMARC. S. 348–351, H. Robert Cohen and Bonna Boetticher: Répertoire international de la presse musicale (RIPM). S. 15–16, Donald Mintz: International Inventory of Musical Sources • American Secretariat. S. 118–125, Publications à Caractère Bibliographique. 1 by Rainer E. Lotz; Michael E. Gunrem; Walter Roller; Discographie der deutschen Kleinkunst, Bd. S. 216–221, Publications à Caractère Bibliographique. Der Virtuose und seine Welt. S. 362, Egle Jovaisaite and Eglė Marčėnienė: Lithuania. S. 76–77, Review by Horst Leuchtmann: Thematic catalogue of the works of Carl Philipp Emanuel Bach by E. Eugene Helm. S. 112–127, Pamela Thompson: 1993 Treasurer’s Report. Compte-Rendu des Travaux De L’assemble Generale. S. 326–330, Christian Meyer: Un répertoire de luth allemand des années 1520: Kraków, Biblioteka Jagiellońska, Mus. S. 187–188, Review by Heikki Poroila: Johann Michael Haydn (1737–1806): A Chronological Thematic Catalogue of His Works. S. 71–77, Daphne J. Kennard: Music Services for Handicapped People. (The Computer Music and Digital Audio Series, 4) by Deta S. Davis. S. 352–354, Review by James Kalbach: 20/20: 20 New Sounds of the 20th Century by William Duckworth. Leben und Werk by Malte Korff. by Richard S. Hill; Carol June Bradley; James B. Coover; Musiques — signes — images. Englisch-Deutsch / Deutsch-Englisch = English-German / German-English. The Songs Of The Minnesinger, Prince Wizlaw Of Rügen (Univers. (Biblioteca di Bibliografia Italiana, 126) by Oscar Mischiati; Mariella Sala; Ernesto Meli. S. 125–128, James Bradford Young: An Account of Printed Musick ca. S. 97–101, Colette Chabaud: Le Prêt inter-bibliothèque pour la musique. S. 123–131, Editions Et Reeditions De Musique Moderne (XIXe et XXe ss.). S. 268–275, Martie Severt: IAML Treasurer’s Report 1999. S. 52–59, Judy Tsou: Archives and Documentation Centres Branch. S. 228–233, Mariella Busnelli: Notizie inedite su Giovanni Maria Marchi (1689—1740). S. 99, Harald Heckmann: Computer Aids in Music Libraries and Archives. S. 8–14, Hans Ruppe: The Austrian public music libraries. S. 139–172, Bettina von Seyfried: Das Deutsche Musikarchiv Berlin Der Deutschen Bibliothek Als Musikalisches Informationszentrum. Volume I, Performing Beliefs: Indigenous Peoples of South America, Central America, and Mexico by Malena Kuss. (Berichte des interkulturellen Forschungsprojekts „Deutsche Musikkultur im östlichen Europa“; Bd. S. 448–449, Review by Joshua Barton: Work and Sing: A History of Occupational and Labor Union Songs in the United States by Ronald D. Cohen. S. 108–111, Chappell White: Toward a more accurate Chronology of Viotti’s Violin Concertos. A thematic Locator for Anthony Van Hoboken’s Thematisch-bibliographisches Werkverzeichnis, vols. S. 91–93, Dominique Hausfater: Bibliothèques de Recherche: Compte-rendu du Congrès de Boulogne-Billancourt. S. 2–3, Nanna Schiødt, Neil Ratliff: STOCKHOLM 1986: BUSINESS MATTERS. S. 227–230, Miriam Miller: The Provision of Performance Materials. S. 227–228, Mary Wallace Davidson: United States. S. 122–132, Nils Schiørring: Public Music Libraries. S. 113–121, Ingmar Bengtsson: The Oddest of Thematic Catalogues. S. 119–130, Dominique Hausfater: La Musique Dans Les Bibliothèques Publiques Françaises. 1131) by Robert Palmieri. S. 180–181, Andrzej Spóz: Poland: 1996—97. S. 72–76, Povl Stenfelt Thomsen: The Danish Library Center And Music. S. 141–143, Marsha Berman: Commission on Service and Training. S. 181–183, Graham Langley: The British Institute of Jazz Studies. S. 56–58, Don L. Roberts: Commission On Education And Training. (Catalogus artis musicae in Bohemia et Moravia cultae, Artis musicae antiquioris catalogorum; 5) by Jiří Sehnal; Jitřenka Pešková. S. 97–99, Joachim Jaenecke: Bericht der Arbeitsgruppe „Terminologie“. S. 177–178, Bettina von Seyfried: Deutschland: 1997. S. 45–48, Y. Fédoroff: Commission De Catalogage De La Musique. S. 102–108, Willem Elders: Le problème de l’authenticité chez Josquin et les éditions de Petrucci: Une investigation préliminaire. S. 159–168, Marit Grimstad: The Digital Radio Archives (Dra) At The Norwegian Broadcasting Corporation. 86) by George C. Schuetze. S. 62–63, H. Robert Cohen: On the Structure of the Repertory: RIPMxix Series A and Series B. S. 66–68, Marcello Conati, Elvidio Surian: Le Centre International de Recherche sur la Presse Musicale (CIRPM) à Parme. S. 119–134, Pamela Thompson: 1995 Treasurer’s Report. 13, 1978); Sei sonate per il cembalo, MS (vol. S. 81–87, Catherine Massip: Les Filigranes: Utilisation, Lecture Et Reproduction. S. 1, Harald Heckmann: Ein Halbes Jahrhundert. S. 84–88, Review by Kathryn Lowerre: J.S. S. 177–194, Erich Schwandt: The Motet in New France: Some 17 th and 18 th Century Manuscripts in Quebec. S. 129–134, Renate Wicke: Die Situation der Bibliotheken der Musikhochschulen in der ehemaligen DDR. 33) by Karen R. Little; Julia Graepel; R. Scott Adams. Leopold Nowak: Österreichische Nationalbibliothek: Der Wiederaufbau der Musiksammlung. S. 326–328, Review by Jan Dewilde: André Cluytens. A pub as a microcosm for a casually narrated multicultural society beyond demagogically induced dystopias is refreshing. S. 140, Michèle Lancelin: Branche Professionelle des Bibliothèques dans les Institutions d’Enseignement Musical. S. 373–376, Antonio Baldassarre, Antonio Bladassare: Répertoire International d’Iconographie Musicale (RIdIM). (Thematic Catalogue, no 22) by Christine D. de Catanzaro; Werner Rainer; Joseph Martin Kraus (1756—1792): a Systematic-Thematic Catalogue of his Musical Works and Source Study. S. 204–210, Catherine Massip: In memoriam Simone Wallon (29 août 1918—12 mai 2001). S. 181–182, David Sommerfield: Audio-Visual Materials. S. 198–199, Review by Sven Hansell: Opernlexikon: Teil I: Titelkatalog by Franz Stieger. S. 17–31, Denis Vaughan: Berne Convention. S. 36–37, Lenore Coral: Cataloguing Commission. S. 149–150, Review by Geraldine Ostrove: 18th-Century American Secular Music Manuscripts: An Inventory (MLA Index and Bibliography Series, No. (Catalogus Musicus. S. 522–527, Alla Semenyuk: The Digital Collection Of Russian Music Of The First Half Of The Nineteenth Century (From The Russian State Library Stocks). S. 2–15, Anne Nenquin: Broadcasting Libraries Branch Report. S. 88–89, Harald Heckmann: Bericht des Generalsekretärs / Rapport du Sécretaire général / Report of the Secretary general. S. 367–371, Susan Summerfield, JoEllen Dickie: Music Collections At The Newberry Library. S. 98–100, Malcolm Gillies: From Pencil To Podcast: Maximizing Musical Resources. S. 437–438, Review by Elisabeth Giselbrecht: Niveau Nische Nimbus. S. 5–7, G.C.M. S. 91–104, Editions et Reéditions de Musique Ancienne (avant 1800). (Composers of North America, 6) by William K. Kearns. S. 62–72, Harald Heckmann: Répertoire International des Sources Musicales (RISM). S. 65–66, Laurence Decobert: Commission de Catalogage : Sous-commission Unimarc. S. 201–203, Review by John Schuster-Craig: Wagner and Venice by John W. Barker. S. 320, Marie-Gabrielle Soret: Archives et centres de documentation musicaux. S. 76–85, Wendy H. W. Wong: The „Imperial And Royal-Court Schumann Robber“: The Unpublished Piano Cycles Of Ernst Von Dohnányi. S. 571–572, Review by Barry J. Zaslow: A Living Legacy: Historic Stringed Instruments at The Juilliard School by Lisa B. Robinson. S. 113, Nouvelles / Nachrichten / News. S. 217–219, Sheila Cotton: Education and Research in Music Librarianship. S. 320, Jutta Lambrecht: Ad-hoc Committee on Electronic Fontes. S. 310–344, Hartmut Walravens: POPULAR CHINESE MUSIC A CENTURY AGO : Berthold Laufer’s Legacy. S. 156–187, International Basic List of Literature on Music. Jury Statement German Cinema New Talent Award: "A pub as a microcosm for an entire society is not a novelty in cinema. S. 30–31, Review by Nanie Bridgman: Un Nouveau Catalogue Important de Manuscrits. S. 161–163, Judit Skaliczki: Coming of age in the land of Bartók and Kodály The development of music departments in large public libraries in Hungary, 1978—1988.
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